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					 ![[Like Father, Like Son]](../coverart/wayne_father.jpg)  
					Birdman & Lil Wayne :: Like Father, Like Son 
 Cash Money/Universal Records 
					Author: Steve 'Flash' Juon
					 
					 
The opening "Loyalty" skit of "Like Father, Like Son" is a weird combination. The musical 
backdrop is an uncredited reinvention of the background music from the "Scarface" film, 
the music usually heard when Tony Montana is about to flip out and shoot somebody. The 
vocals on the skit don't sound like Tony Montana though; the vocals are provided by 
somebody named Thomas Marasciullo doing what sounds like a scene from "Godfather" or 
"The Sopranos." In a way yes it does make sense given they're all fictional criminal 
enterprises, but it's like hearing Schoolly D rap "P.S.K." over a DJ Premier beat in 
that it could be dope and it would still be WRONG.
 
There's also something a little wrong with Baby/Birdman and Lil Wayne/Weezy referring 
to their relationship as "Like Father, Like Son." It's not too many fathers who own their 
son's record label; furthermore, as of the writing of this review I was not aware that 
Bryan Williams had ever adopted Dwayne Carter in the first place. There's certainly no 
biological relationship between Baby and Wayne, and it bears repeating that it's hard to 
see Weezy calling Birdman "dad" when his "father" could shred his record contract and 
kick him to the curb any time he feels like it. Nevertheless even if this relationship 
is a fiction created solely for a conceptual record, it does at times click on this CD. 
Such is the case on the TMIX produced lead single "Stuntin' Like My Daddy":
 
Wayne: "Bitch I'm paid, that's all I gotta say 
Cant see you lil' niggaz, the money in the way 
And I'm, I'm sittin high, a gangsta ride blades 
And if you ain't gone ride fly than you might as well hate 
Shit, I gotta eat yeah even though I ate 
No it ain't my birthday but I got my name on that cake 
Shit - believe that, and if ya mans wanna play 
I'ma fuck around and put that boy brains on his gate"
 
Birdman: "Born stuntin, uptown hunter 
3rd war G nigga been about money 
Ice chunky, Birdman red monkeys 
White tees on them chromed out 11 hundreds 
You know we shine every summer 
We grind every summer, and this is how we spend money 
You see them Bentleys and them Lambs' 
Them ounces and them grams, bitch we was born hustlin"
 
They certainly have the same approach when it comes to flossing wealth and flaunting 
status, except of course Birdman can more easily afford to as the CEO. You think they 
split the profits on this album 50/50? Think again, rappers get FUCKED in this 
game. Your label gets 90, you get 10, and then the label takes the expenses of promoting 
the record out of YOUR 10. Let's see Wayne stunt like his "daddy" off what's left 
of his ten percent. Nevertheless I digress, there's still a lot of worthwhile music 
to listen to on "Like Father, Like Son" despite how overall superficial and vapidly 
materialistic the topic matter is. The usual guests you'd expect on a big new gangsta rap 
album are all here, and they're all paired up on hit making beats. Rick Ross gets his 
own floss on for the smooth "Know What I'm Doin'" and you know Fat Joe is "About All  
That" when he grips the microphone. What do these songs have in common with the lead 
single? TMIX from Crime Family. The producer shows himself an able substitute for the 
pounding Mannie Fresh beats that used to be a Cash Money trademark. Not BETTER 
than Mannie Fresh mind you, just competent to fill that role. Other dope tracks include 
the heavy DJ Nasty and L.V.M. pounding bass of "Cali Dro" featuring Daz & Kurupt, 
Scott Storch flipping up "You Ain't Know" and Jim Jonsin jammin' Jodeci samples to 
prove Birdman & Wayne roll on "Leather So Soft."
 
You might be wondering what the long-term value of "Like Father, Like Son" is. 
Like the claimed relationship between these two rap artists, it's only good as long 
as the money's good. If Wayne felt shorted on his checks he'd bounce like everybody 
else from the Hot Boys did a while ago, so Carter is clearly happy with what "daddy" 
is giving him. You probably will be too if you're a fan of either man individually, 
although hearing them in this setting without any of the rest of the "family" like 
Juvenile, B.G., Turk or Mannie Fresh just feels odd. It's not so obvious that there's 
something not right when they're rapping seperately but when they're stuntin' together 
Wayne is about as much Birdman Jr. as Rey Mysterio is Rey Mysterio Jr., although at 
least in Mysterio's case the original was his uncle so there's SOME family tie 
there. There's none on "Like Father, Like Son" except in their own minds, but if you 
want to go along for the ride it's not the worst record you'll buy in 2006. In fact 
at times it's quite good, just incredibly contrived and unnatural in the process.
 
Music Vibes: 7.5 of 10
Lyric Vibes: 6.5 of 10
TOTAL Vibes: 7 of 10
 
Originally posted: October 31, 2006 
source: www.RapReviews.com
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