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					 ![[Attractive Sin]](../coverart/del-attractivesin.jpg)  
					Del the Funky Homosapien & Parallel Thought :: Attractive Sin  
					Parallel Thought Ltd./Hieroglyphics 
					Author: Steve 'Flash' Juon 
 
					 
					 
If I could get away with a two sentence review, this would be the first 
one. The other one would be "This is a brilliant album - go out and buy 
it when it drops on June 19th." No? That won't cut it? Well fuck it then. 
Let me start out by pointing out this is the lineal successor to the 
"Parallel Uni-Verses" album from 2009, although this time Del 
is not collaborating with Tame One. That's not due to any animosity 
or ill will that I'm aware of, but if you can attribute it to anything it's 
that both artists have multiple irons in the fire right now. Del could 
even wind up dropping a sequel to "Deltron 3030" album before this one sees an official release. 
The album I have now sounds done though, and there aren't even 
any "for promotional use only" drops on it. (Please don't ask me to 
rip you a copy though; it's watermarked, and I wouldn't anyway.)
"Attractive Sin" is billed by the one-sheet that came with the promo 
as "legendary West Coast style" meets "Parallel Thought's East Coast 
production." That's accurate, but grossly understates the credentials 
of both artists involved. P Thought is fairly slept on in the industry 
today - he may not have the big name of Statik Selektah, Alchemist or 
Primo, but he's laced beats for some of the most lyrically adept cats 
in the game. That includes the aforementioned Tame, MF DOOM and 
C-Rayz Walz just to name a few. And as the producer of record for 
"Parallel Uni-Verses," it 
should already be clear what he's capable of even if you don't know 
his name - his beats would get 4 out of 5 mics in The Source (even 
back when that hailed a hip-hop classic).
 
Del the Funky Homosapien's list of credentials 
is even longer: founding member of the Hieroglyphics, auteur of 
a dozen albums, and a man who was still as dope after a eight year 
hiatus if not more so. His flow is incredibly free form - following 
a line of a beat but rhyming when and where he wants to do so 
in a method that only SEEMS random. There doesn't 
appear to be any kind of producer he can't drop a hip-hop classic 
with, whether it's the members of his own Hiero fam, his own 
self-production, or even "virtual bands" like Damon Albarn's 
cartoon collaboration with Jamie Hewlett called Gorillaz. 
More people know the phrase "Dr. Bombay" from his song of 
the same name than for the TV warlock from Bewitched in 
the 1960's. And as rappers come he's unapologetically ferocious 
in his "keep-it-true-or-FUCK-YOU" attitude, as exhibited in 
songs like "1520 Sedgewick" on this album:
 
"Okay I got some shit to express 
Jump off my chest like a skydiver 
Right into the fire, won't perspire 
First off, all you half-ass writers, you're FIRED! 
Retired and laid to rest
DZL taste this test, nigga you ain't the best 
You imitate straight down to the flesh, style and dress 
but can't get it correct! 
Sir DZL, the boy's a mess 
Poison deployed and set 
right with the cheese 
Then I'm off in the night with a knife up my sleeve 
Slicing thieves..."
 
Imitators and clones should now consider themselves warned. 
(He informed you thusly.) If that's not enough notice, consider this - 
the very first song on the album is "On Momma's House" and he 
doesn't even mention the title ONCE in the song. He doesn't 
need to either. It should be patently clear that he takes his life and 
his hip-hop craft so seriously, that's what he'd put it on. It's not just 
"that's on my life" or "that's on everything" when stating what he'd 
risk - he's so cocksure he can't lose he'd put it on his MOMMA. 
And there's no reason to believe he will when you listen to him.
 
"+Life Is Too $hort+ so don't waste it 
Learn to tie your shoelaces before you take steps 
Wait just a second to see if it even makes sense 
Fake hoes, they choose me but they foolish 
First off, ain't no funds cause it's few and 
far between so you start to see 
how dumb fuckin niggaz in cars can be 
But fuck it, cause it got to get'cha like gimme 
If you're caught out there, well game is taught there 
Not at all fair and that's fair enough 
Cause when I get my fingers on the clutch, eat my dust; 
mushrooms, her-on and thizz 
hubba rocks, ice, and prescription cannabis"
 
Del declares himself kin to almost everybody in the course of the 
song: "Asians, Mexicans, Filipinos, Vietnamese, Japanese, a few 
white people, Samoans, nerds, jocks, prep stoners/a few niggaz like 
me gettin they flow on." Last album around that was Tame One, but 
this time he's entirely on his own, and though Tame was an able 
and capable rapper who could hang bar for bar over Parallel's beats 
"Attractive Sin" isn't less attractive for him not being here. Del 
seems fired up on every song - because even when he declares that 
the "Show's Over" he still comes back for one more track on "Front 
Like Ya Know," where he is clearly amused by himself and happy 
to sing the hook of his own song. Whether as himself or his thinly 
disguised alter ego Sir DZL, Del is in a world all his own, only 
needing the smallest amount of help to get you to travel into it. 
Parallel's help isn't small though, it's LARGE. So like I said 
at the beginning, "This is a brilliant album - go out and buy 
it when it drops on June 19th."
 
Music Vibes: 8.5 of 10
Lyric Vibes: 9 of 10
TOTAL Vibes: 8.5 of 10
 
Originally posted: April 24th, 2012 
source: www.RapReviews.com
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