"Slangin butter, slangin butter, slangin but-tah
To yo' auntin, to yo' cousin, to yo' mutha
Slangin butter, slangin butter, slangin but-tah
To yo' daddy, lil' sista and yo' brud-dah
Slangin butter, slangin butter, slangin but-tah
Slangin butter, slangin butter, slangin but-tah
Slangin butter, slangin butter, slangin but-tah
If I don't get caught I'm a rich motherf..."
Dating back to his official induction into
Three 6 Mafia in 2006 and unofficial membership dating back to the group's earliest
days as Juicy J's older brother, Patrick "Project Pat" Houston has long been a known
factor in the Memphis rap scene. At the time the Mafia started to go from regional to
national in recognition and popularity, Pat's cameos on songs like "Who Got Dem 9's" and
"Sippin' on Some Syrup" increased his profile to the point that a solo career became
a viable option. Over a half dozen albums and many more mixtapes later, Pat can claim
certified veteran status not just in
Memphis rap but in the hip-hop world at large.
There's no question that Project Pat
is a O.G. and that a new album like "M.O.B." can be looked at as the latest chapter of
an elder statesman with a solid following. Pat's unique vocal stylings, his tendency
to overemphasize certain syllables, to raise or lower his pitch during bars in an
exaggerated way makes him easy to imitate and memorable to the listener. On songs like
"Money" with his brother J, all of these qualities come together in the best possible way.
Based on the lead single and Pat's long time legacy as a rap artist I went into
"M.O.B." with moderately high hopes. Once I heard "Slangin Butta" I started to question
why, and I was only two songs into the album. I don't have liner notes for the review
copy I received and that might be for the best, because I'd want to NOT thank
the producer of this track for an uninspired beat. Is it "bad" as in unlistenable? No.
There's nothing to recommend about it though, and the insipid chorus only makes one
want to pay attention to it more, only to find there's not a enough of a melody or a
hard driving beat to distract you. It's too generic of a song for a rapper with the
charisma of Pat, and one feels he wasn't motivated by hearing it to write anything special.
That's a feeling you get frequently while listening to "M.O.B." The backdrops seem
excessively simplistic, relying on a pattern of varying between 2-3 individual notes in
a familiar yet overused "spooky" Memphis style, and there isn't enough thump to the drums
or pound to the bass to make up for it. One of the things I've always enjoyed about Three
6 Mafia albums over the years is how excellent production could elevate even banal topics
to create rap classics. Mafia songs would pound the S--T out of your speakers at
home or in the whip. Songs like "Extortion Game" take the opposite approach, and you start
noticing cornball lines like "I'm masked up like Batman and I'm +robbin+" too often.
There are still times on "M.O.B." when the music and Pat's personality shine through.
His sing-song delivery on "Very Paranoid" and the church bell-esque sounds give a classic
Hypnotize Minds quality to the track. "We Dem Ones" has some of Pat's most overly dramatic
vocal inflections, to the point fans will love it and anybody else won't be able to stand
it, but for me at least it works. Pat is often as his best when collaborating with other
artists and "O's" featuring Young Dolph is an ideal example of such a joint effort
bringing out the "Pat-tahhh" at his best.
If there were more songs like this one and "Money" then it would be easier to file "M.O.B."
into Pat's catalogue as another certified Memphis banger. The problem is that songs like
"Wit the Shii" and the overly AutoTuned sounding "A Real One Will" don't suit Pat at all.
Instead of accentuating Pat's positives they spotlight his negatives, and it becomes harder
to ignore simplistic rhyme schemes and silly lines like "I always remember, like a
elephant/you lame n---az in the past are irrelevant." It's not that I don't still
respect Pat as a Memphis O.G. - nothing on "M.O.B." can change that. It does make me think
that he wasn't as highly motivated on this album as some of his previous efforts, and with
so many friends and colleagues passing away (Lord Infamous, Koopsta Knicca) in recent
years that's understandable. I hope he finds the spark he needs on his next album and
collaborates a little more with the Mafia. They can get him where he needs to be.
Music Vibes: 5 of 10
Lyric Vibes: 5 of 10TOTAL Vibes: 5 of 10