In
2012, following the advice of a friend working at Melbourne’s Wax
Museum Records, I picked up a tape single of “Raw Factor 2.0” by
Omniscence, produced by D... Read More...
As much as people like to eulogize rap music of the 1990s, few seem to be actually willing to dissect it to see what made it tick so flawlessly. Going back and... Read More...
To mine for rough diamonds is the objective of crate diggers, who, thanks to the return of vinyl collectors, have stepped out of the murky bootleg shadows in r... Read More...
