CasUno Interview Author: John Book
When someone comes out with an album that feels like
it came from nowhere, I tend to
absorb it as much as possible. That is the case with
CasUno, whose new CD, “The Art
of Pissing People Off!!!” (Label Illtelligence), is a
recording that made an impact on me
as soon as I heard it. Maybe it’s something in the
air, for there have been a number of
releases that made me feel this way, and CasUno
definitely has something of substance.
I wanted to know what made him tick, so I decided to
do an interview with him.
JB: When was the first time hip-hop affected
you?
CasUno: Wow. I guess this is where I can speak on how
I was lucky enough to witness
early stages of hip hop (and reveal my age, I'm 27, 28
this month!). By early I mean
begining stages, even though there are signs of what
added onto the equation we call hip
hop as far back as the late 60s. I'd have to say it
was a few things that made me affected
by hip hop. Early 80s, no doubt, around the time one
becomes fully aware of his/her
surroundings. Things like going to the roller rink and
watch my cousins duke it out on
some Pop-a-zoids VS The Imperial Rockers breakdance
ish. Going to see fam in NY/NJ
and enjoying the sight of graffitti on the majority of
bridges on 95 in the Bronx. My Pops
records like Kurtis Blow "Christmas Rap" (My Pops
loved Kurtis Blow but denies putting
me onto early forms of hip hop) and NY airwaves that
my Pops would twist the dial until
he found "that sound" in the car on that same ride to
see fam in the Tri-State area. It was
an avid occurance and unfortunately living 3 to 4
hours away from "The World" made the
car ride a memory itself.
JB: Did you ever see yourself ever becoming
more than just a fan?
CasUno: Man, like everyone else I always thought I was
more
than just a fan. I was/is a pompus B Boy from the
early 80s that tells kids they know not just like the
prior generation before me told us we knew not. How
about this for an answer. I am a fan. I always was a
fan since I became conscious of my sound surroundings
and I really haven't lost that thirst to indulge in
listening to the rawness....Therefore I have never and
probably will never be anything more than a fan. I
attempt to contribute onto the culture because of my
passion and dedication in being a fan. Ceiling fan
even, heh.
JB: Let's touch on your upbringing a bit.
Did your surroundings have an effect
on your lyrics in anyway?
CasUno: I'm an only child. I write spit and usually
talk bitter and blunt. I was raised by
both my parents in a Massachusetts town. Yes, town.
Wareham aka Broham,
Massachusetts was and is multi cultural and perhaps
one of the most
ethnically diverse rural residences in Massachusetts.
When hip hop made it's way into the
world, being 3 to 4 hous North East didn't hurt. My
parents raised me to
express myself fully and not hold back who I is, so in
application to rhymes, my upbringing strongholded me
to not faking jacks. I grew up working class in a
house, so the more progressive, non-cave man
practitioners drew me in more so than the gun totin',
hoe bonin', drug dealin, etc....I remember being
pissed when hip hop become a Parental Warning Explicit
Lyrics sticker, on some, damn, now they're really
gonna condemn my life's love.
JB: People in hip-hop are often afraid to
touch on their influences, as if to
suggest that everyone is an original. But we all
listen to people and want that to be a
prime example, before we move on and build on becoming
our own voice. Who were
some of your biggest influences, as a rapper and
perhaps any musical
influences?
CasUno: In the early stages for me, it was Jeckyl &
Hyde. I loved how their raps weren't
cat in the hat style (even for that time) and how they
had the ill choreographed steps while
the hook or break rocked during their joints. Cats was
wearing suits and glasses and
epitomized the part, yo. I took them for what I
believed they were; smart, talented, and in
touch w/ what they was doing. The Juice Crew, the
whole team was just an all star cast,
and even in Junior High, I knew that. DMC cause he was
a loud agressive brother with
glasses (like I envisioned my b boy self to be). Hip
hop still "inspires" me today, and I
think that's what you were getting at with the afraid
to admit to influences of today. Yeah,
anyone really trying to MC can't point out people of
today and say they inspire said
person, cause really, being inspired to MC by a person
in the now would kinda be biting,
no? I mean, in the sense that listening to your
"favorites" inspires you to go write or what
have you, and not necessarily anything like
replicating what you was listening to, a lot of
people would fall victim to that. It's more of a
keeping on cats on their toes kinda
thing...On some yo, I gotta really get on some next
sh!t, nahmean.
JB: Did you face any challenges as an
upcoming rapper, from your
community?
CasUno: Man, anyone trying to do anything on a
"serious" level around here catches
nothin’ but challenges. Someone once told me IF? you
ain't strugglin', you ain't livin'. So,
IF? you ain't challenged, I guess ya bored. When I was
in college playing demos for cats
they would marvel that a cat coming from a region that
really had very few MCs
representing his piece of the planet even attempted to
get his rhyme on. I was told
IF? I wanted to "make it" I'd have to move. I never
liked that angle. I think Sage Francis is
more proof than I'll ever need to know that this
philosophy never existed as truth. My
community has a tendency to act as IF? me and mine
don't exist (especially when we
ain't around). IF? we based our own personal success
based upon our locality's reaction, I
woulda quit ages ago. This game is full of Promotional
Left Hand Daps and ins w/ people
based on b.s., but hey, at least we ain't bored.
JB: As a rapper what had you been doing up to
the point you came out with the
new CD?
CasUno: Working...like going TO work, heh. Nutshell
styles. In 2001 me and a few local
cats including my man Gibran put out a CD entitled
Multiple Complications "St.ART".
I believe it's still available in select places, which
taught me the game of shelf life. We put
out Vocab's "On The Rock", which is another jammy you
can still catch. Pressed a
sh!tload of free samplers showcasing The IF? (me and
Gibran), Vocab, Missing
Elements, & AmsUno. Rocked mad shows within MA/RI...So
much that it lost a lot of
luster rocking the same clubs over and over and over
again. Perhaps my locality plays the
too local role, I don't know. I'm blessed to just
finally see loads of hip hop ongoing in my
own original community. I hosted an open mic showcase
called UNITY for years w/ this
promotions company called Basement Flavor...
Just lately,
after doing this project twice due to some very
unneeded bullshit, trimming down and
acquiring pieces to the so called puzzle of people
that believe in our core cause. I mean, I
recorded a whole project entitled "Promotional Left
Hand Daps" under The IF? title, but
it never got a chance to breath yet due to what ever.
AOPPO was born outta skorn spirit,
rhythmic release, and sociological impatience. I guess
you could say I been trying to
figuire out how to make the "next" move to gain the
momentum needed in achieving what
ever success is in this tainted game.
JB: Now we have the CD, "The Art of Pissing
People Off!!!" What's the
significance behind the title and CD cover?
CasUno: The Art Of Pissing People Off'll leave you
dumped dead on it at truck stops,
hops. It's what keeps everyone in trouble w/ one
another. It's how not to be in social
settings, the simple wrongs and wrongs of human
interaction. So well executed, some
may have mastered the art of pissing people off and
not even know it. Here's the preface
to a book dedicated to what not to do. The cover was
my attempt to visualize an action,
namely, PISSING people off. Worst case scenario
(besides being shot which is far too
gully for me to paint a picture of, visually or
verbally), you get someone vexed and they
beat ya ass in the basement while ya hog tied and
gagged... toss you off a terrace even.
JB: What I noticed when I looked in the liner
notes was the wide range of
producers you have in making your tracks. What made
you decide on working with
many people, opposed to keeping to one or two
producers?
CasUno: Ha! Where do I start. I worked with everyone
not only cause of the fun with
friends... rule, but really, I was in the biggest
pinch yo. I mean, everyone who I worked
with on this I been wanting to work with just due to
my high regard for their talents...I'm
kinda lucky to have all of the cats who laced beats
around me whenever like that. I was a
bit frustrated waiting for a project I had spent mad
time and energy on to drop, so instead
of being a real asshole, I just moved on as best as I
could. I still have partial faith and nuff
confidence in "PLHD" but sitting around waiting for
others to decide my fate or existance
ain't my style. This whole ish was almost a last
resort in the world of an aging aspiring
MC and I am damn thankfull for all the people who
didn't hesitate to help. Praises to
Esh, Joe Beats, Gibran, DJ Al Bums, D. Mott, Matty
Mischief, Missing Elements, DJ
Mekalek, & headcASE.
JB: The CD is well produced, as everything
sounds good to my ears. For me,
while most of us don't do too much rewinding anymore,
the entire album felt that
way, where I wanted to go back and hear it over and
over. It has an old feel to it, but a
feel that for me never went away. Was this your
intention?
CasUno: My intention as a MC is to try to get my
point across in plain day by way of
repeated listens. That obvious rap is called
commercial crap. I don't see myself as too
much a shallow cat, so my music reflects the depth of
my inner. Intentionally or naturally
is my question.
JB: As far as doing shows, what is your
mission once you hit the stage? I ask
because I hear how you are on these songs, and I can
only imagine what you might be
able to pull off in a live setting.
CasUno: As every MC aspires to achieve, I just want
to actually grab people's attention
and keep their attention for how ever long we rock.
Yeah, we scream, run and jump
around, get ridiculousely drunk while doing so,
etc...It's a good time, no matter IF? we're
having an off night or a stellar performance, people
bug out on our behavior and
presentation...we try to never do the same show twice
and switch off from like
an Ams song, to one of my joints, to Esh, to Vocab, to
Missing Elements, back to Ams,
etc....Keep ish on the non boring tip, nahmean. We
ain't afraid to cuss out a crowd or two
either, how ever that ends up.
JB: If you were able to work with anyone
right now, another MC or DJ, who
would it be and why?
CasUno: Honestly man, I got so many ideas to get outta
my head that either incorporates
others or does not, that I couldn't even think on that
plain, yo. There'd be a mile list long
of my favorites and how it would be dope to get down
with them, but as of late, my
outside the camp collabs are minimal and I ain't the
type to blow smoke up someone's ass
and talk about doing a collab that most likely will
never jump off anyhow. IF? I gave an
answer right now to that question, I'd just be
revealing who I'm really feeling right now
and I'm no one to play favorites. I know me and Ams
are supposed to do a Bros. Uno
project and ain't did nothin; yet but shop for a few
beats.
JB: So you have mastered the art of pissing
people off. What's pissing you off
right now?
CasUno: Heh. You're inviting a complainer to complain.
Don't get it twisted, I never
reveal IF? it is I that mastered the so called art of
pissing people off, that's for the listener
to decide....Or even consider, seeing I tried damn
hard to be mad universal with my
notions and theories.
JB: I got it.
CasUno: Having a college degree and working for a
living kinda blows, especially seeing
I make peanuts for pay. I hate commercial rap, but
some where along the lines I learned to
both ignore it and accept it seeing you can't have
dope without wack. I hate George Bush
and I hate the disposition of working class people
with more common sense than most
political figuires, but that would contradict the
whole point of politics, wouldn't it? My
most hated attributes of socializing were all covered
on AOPPO (mostly). I hate
all the gay love scenes on my favorite HBO programs. I
hate the nasty rich white people
peanut butter Esh made me mix my shrooms with the
other day.
JB: People may be unaware of your hip-hop
scene, shine the light on some of
the other folks that people should be aware of.
CasUno: Damn... there's so many cats, but I'll just
big up those in motion....Non-prophets,
of coarse...Time Machine, even though they bounced to
Cali, Shawn Jackson and all of
LenAce Entertainment, Romen Rok, Roc Solid, Ams,
Vocab, Jezuz, Swann
Notty...There's so many cats, man....Check
www.basementflavor.com for my local
science, word.
JB: I often ask where people see themselves
in five to ten years, but that seems
like an eternity. What is your mission for the next
two to three years?
CasUno: To be happy, in good health, and naturally
selected unto my environment (where
ever that may be). Nothing else matters, I learned
that much.
CasUno’s “The Art of Pissing People Off!!!” is on
Label Illtelligence, and you can find it for sale at
UGHH.com or contact
them at
illtelligentwreckkids@yahoo.com for more
information.
Originally posted: July 13, 2004
source: RapReviews.com
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